Toni Warburton is a Sydney-based multidisciplinary artist whose practice spans ceramics, drawing, installation and writing. Grounded in an enduring engagement with the materiality and ecology of place, Warburton’s work explores the interplay between human presence and natural systems. For five decades now, she has continuously challenged and expanded the language of contemporary ceramics, positioning the medium as a site of formal experimentation and conceptual inquiry.
Working between Sydney and the South Coast of New South Wales, Warburton draws from a deep history of ceramic traditions while embracing fluid, improvisational methodologies. Her work navigates themes of environmental transformation, Indigenous and colonial histories, and the phenomenology of perception. Vessels, sculptural forms, and site-responsive installations hold her poetic meditations on water, land, and dwelling.
Warburton's work has been presented in major institutional exhibitions, including Making It New at the Museum of Contemporary Art, Sydney; Clay Dynasty at the Powerhouse Museum; and The Clemenger Contemporary Art Award at the Ian Potter Centre, NGV. Her work is held in the collections of the National Gallery of Australia, the Art Gallery of New South Wales, and the Art Gallery of Western Australia, among others. A dedicated educator and advocate for ceramic discourse, Warburton has held teaching positions at the National Art School and Sydney College of the Arts.
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